An interesting post from Steve Safran’s Lost Remote, where he recommends buying Google keywords for, say, your station’s weather forecasts.

As an example, a quick search for Sheffield weather doesn’t return anything from Hallam FM, the local radio station for the area; and the BBC’s the top result. Well - nearly the top result. The top result is actually… the weather forecast. Rather negating the point.

However, I would also recommend you buy Google keywords, for one reason: Google’s never fresh enough.

One example - do a search for Derby result, to discover who won today. The best match is the top result, but that’s a page that (at the time of writing) Google had last looked at on May 22nd. (Epsom racecourse cleverly published a page ahead of time; clicking on that result reveals the winner).

Later this month, Muse are playing in the new Wembley stadium. People will search for Muse Wembley pictures after the event - and, I’ll bet, not find much. You see, Google’s main search results are produced, for many sites, monthly or fortnightly.

This is where Google keywords come in. If you were to buy ‘Muse Wembley pictures’ for just a day or so, you’ll catch that traffic: doing Google’s job before its crawlers come along and take a snapshot of that page. And a secret: certainly in the tests I’ve done, Google’s search engine appears to be influenced to look at your AdWords target page fairly quickly after you start advertising; so you can stop the ads fairly quickly, once you appear in the organic search results.

So - if something important happens, whack it into Google Adwords, and watch the traffic come in (even after you’ve stopped paying for it). That’s my tip of the day.

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Disclosure: a site I run earns revenue from Google AdWords.

I posted, a little while ago, a short and ill-considered piece titled Google Audio Ads are coming to eat you up. On thinking further, and reading further, I’m not entirely sure that’s the case.

In that post, I linked to lots of screenshots of the Google Audio Ads process in action. (There are also some presentations about Google Audio Ads online). A media purchaser gets almost the same experience as they would buying Google AdWords. Interestingly, they also get no way of purchasing stations directly, thereby leaving stations free to continue to sell ads themselves.

Further, thanks to Jonathan Marks, I’ve been sent a job specification for an Account Manager at Google Audio Ads - which makes interesting reading by itself.

The lucky candidate(s) will be charged with “Selling Google Automation products”, not only AdSense for Audio. This appears to confirm a strong rumour in the industry that Google has developed its own playout system - or, at the very least, has used its purchase of dMarc to also leverage dMarc’s own playout system called Maestro. Is it possible that this playout system may be free for use if Google gets a certain %age of airtime? Does this dramatically change the business of running a small commercial radio station? Will it have APIs and other web services to enable better hook-ins to the playout system itself, therefore enabling better additional metadata and visual elements?

The other interesting element to the job ad is a requirement of “Knowledge of emerging media technologies (Podcasting, Online Streaming media, Digital Radio Broadcasting, etc.)”. This is interesting since it suggests that AdSense for Audio may well also be a solution for podcasters, not just terrestrial radio stations. And why are Google interested in ‘Digital Radio Broadcasting’?

It’s clear that Google AdSense for Audio is going to dramatically lower the costs of radio advertising. If you’re a creative producer, this would appear to massively increase your potential business - far from being ‘afraid’, as I said originally, I think you should be hugely excited. More businesses will want to make radio commercials as a direct result. You should be gearing up now to cope with the additional business.

If you’re a radio station, this would also appear to massively increase your client numbers, particularly if you’re working for a local station. There is real benefit in attracting more advertisers to radio, at lower cost. This is great news.

The only worry is if you’re currently a media sales house. I would see Google AdSense for Audio as cutting out the middleman - and that’s you. Why would you go to a media sales house, who deal with a number of radio stations (and thus have little knowledge of those stations), when you can get almost the same experience from Google AdSense - indeed, probably a better experience given the quality of Google’s planning tools?

The more that emerges from the Google Audio Ads stable, the more I’m convinced it may well single-handedly save smaller commercial radio stations.

Let’s think radically. Anyone can sell spots on your radio station. With the latest RAJAR (or Arbitron) figures, anyone can plan these ads, too. However, only your radio station knows how to sell sponsorship, and how to sell out-of-break promotions, because only people who understand the product can sell it. So if Google AdSense for Audio takes off the way I predict it will, I believe that local radio stations could radically change their business. First, remove your spot-sales team completely. This is a large cost to most local radio stations, and with the advent of Google AdSense for Audio, you simply don’t need them. Cut the amount of spots on the station, too - use this as a way to improve the audio experience, not to grow profit. Double the size of your sponsorship/promotions department - this better-sounding and more relevant commercial content will be the way of the future. Watch your audiences grow, because of the smaller amount of instrusive commercials and the local connections you’ll be making by having your DJs talk about your local businesses out of the break, rather than in it. It’s a bright future indeed.

The commercial radio industry in the UK has a track-record of doing the wrong thing, more often than not: GCap and Emap removed all the localness from their output in the late 1990s and are now wondering why listeners flocked away from local commercial radio and towards national services in the 2000s, for example. The next twelve months will show whether those in charge of commercial radio ‘get it’. It may be a crucial time.

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Full disclosure: My current employer is a national commercial radio station, who used Maestro as a playout system for a while. Google AdSense funds my sandpit website.