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Where radio and new platforms collide. With beer.

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The great BBC Techcrunch debate

Posted on Thursday, June 26th, 2008 at 12:09am. #

Here’s my opening salvo, lovingly recreated out of sparse notes, from tonight’s event

First, I should welcome you to BBC Broadcasting House. It was built in 1932, and the room we’re in, the Council Chamber, was envisaged by the architects as “enabling, for instance, representative international committees to meet in London under the BBC’s own roof”. Just outside is a statue done of Ariel by Eric Gill (he of Gill Sans fame, the BBC’s appropriated font face). Lord Reith himself insisted that the penis size of the statues was reduced. I’m not sure what that says about anything but I thought that was important to mention.

I’d like to take us out of the world of future media, and into the world of radio for a second.

The BBC believes strongly in the mantra “agree on technology, compete on content”. You can look at any number of things here - from joint funding of RAJAR, the industry audience research body, to our work on DAB Digital Radio - working together with the commercial sector and others to help develop and promote a successful platform. The same can be said for Nicam and teletext. And then, the current nascent project I’m working on with the commercial radio industry, RadioDNS, a way for your radio to know where to find web services that complement the audio content.

The BBC also helps educate to create a marketplace. BBC News clearly helped make the internet be seen as a serious news medium. Other radio stations use the BBC’s “Radio Player” brand as an easy-to-understand moniker for an online live/on-demand audio product. We all use “forward-slash” when pronouncing website addresses, a trend set by the BBC in a doubtless tiresome steering group meeting. We have a tremendous heritage in working with an industry. After all, we were originally formed, in 1922, to standardise and sell radio sets.

So, back to the building. When it was built in 1932, apparently there were two large offices. One belonged to Lord Reith. But that wasn’t the biggest. The biggest office in Broadcasting House apparently belonged to PP Eckersley, the chief engineer.*

So, as we open our doors to you tonight, remember that technology has always been a major - perhaps the major - part of the BBC.

Things that we’ve learnt: 1) the BBC’s terms and conditions need rewriting to be clear that ‘non-commercial use only’ means ‘ask if you want to use this stuff for commercial gain’, not anything else; and 2) that the average web-startup out there finds it impossible to work out who to contact at the BBC with a bright idea. And that inevitably, rights issues are the main topic of conversation. An enjoyable night, though if I have to accompany one more visitor up those flights of stairs…

Photo: flickr user hugovk. Used under licence. * - I remember being told about this office ‘fact’ by someone, but can’t remember who, or whether it was Eckersley. I can’t find anything on t’internet to back this up. This may be bollocks. As might the story about Eric Gill’s penis-shaving order.

8 comments

Hugo said at June 26th, 2008 at 8:34am

===
After Broadcasting House was opened, the sculpture of Prospero and Ariel above the main entrance caused controversy.

It was said that “maidens are said to blush and youths to pass disparaging remarks regarding the statues of Prospero and Ariel”.

In the Evening News of 23 March 1933, St Pancras MP G.G. Mitchelson, who lived opposite the BBC, suggested to Parliament that the figures of Prospero and Ariel were “objectionable to public morals and decency”.

The story goes that the sculpture was amended, at Reith’s request, but there is no hard proof of this.”
===
http://www.bbc.co.uk/pressoffice/keyfacts/stories/broadcasting_house.shtml

and

===
“All this, because the statue of the boy Ariel was thought to be sexually too well endowed. Rumour had it that John Reith, the first BBC’s Director-General, ordered Gill to amend the statue to make it less offensive to the general public.”
===
http://www.bbc.co.uk/broadcastinghouse/thepast/ariel.shtml

Hugo said at June 26th, 2008 at 8:50am

“Broadcasting House was officially opened on May 14, 1932″

“Reith was a former military man and a Scottish Calvinist who on the surface seemed to be all of the things that Eckersley was not and in 1929 when Eckersley divorced his wife, Reith forced him out of his job.”

http://en.wikipedia.org/wiki/Broadcasting_House
http://en.wikipedia.org/wiki/Peter_Eckersley_(engineer)

Mike Blunt said at June 26th, 2008 at 10:14am

Regarding the ‘forward slash’ and its usage. If you listen to the Today programme, John Humphreys pointedly refuses to use the term, preferring instead the presumeably more correct - ’stroke’.

Links for 2008-06-26 - tonyscott.org.uk said at June 26th, 2008 at 11:14am

[...] The great BBC Techcrunch debate [James Cridland] [...]

Dave Cridland said at June 26th, 2008 at 2:31pm

If that office was anyone’s it’d have been Noel Ashbridge, who was knighted shortly after, and became Deputy Director General, and later Director General.

William T said at June 26th, 2008 at 9:38pm

I thought the term “forward slash” had been banned ages ago - I also remember hearing a local radio presenter correct himself when he started to say the w-w-w at the beginning of the address, saying that he’d received an email instructing presenters not to use it.

There’s a great summary of BH, as was, here, including all the floor plans:

http://www.miketodd.net/other/bhhistory/index.htm

Simon Tuff said at July 4th, 2008 at 12:15pm

One of what I believe to be the “listed” Interiors is the Chief Engineers office at the front of BH on the 6th floor … although it has the same Tasmanian Oak Panelling as the DG’s office on the 3rd floor, it is alas smaller.
I like Mike Todd’s web site and its excellent on BH trivia. Mike, as an ex Broadcast Duty Manager for Radio, is a reliable source!
As for Gill’s statue over the front door ? its is claimed that not only Reith but the also the board of governors climbed the scaffold to inspect the appendage and then to insist upon its reduction ? Gill himself carved the statue in situ, up on the aforementioned scaffolding at 1st floor level, wearing a flowing artists smock ? under which, it is alleged by those passing below, he wore very little. More interestingly, upon Prospero’s buttocks, to the rear out of sight, he carved the out line of the torso of a naked lady ? I have a photo somewhere ? taken during BH’s refurbishment a couple of years back ? should any one be interested …

James Cridland said at July 27th, 2008 at 9:18am

>More interestingly, upon Prospero’s buttocks, to the rear out of sight, he carved the out line of the torso of a naked lady< That picture is now on the web courtesy of my colleague John - http://fatcontroller.net/2008/07/26/hidden-beauty/

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