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James Cridland's blog

Where radio and new platforms collide. With beer.

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Don’t ignore free radio research

Posted on Tuesday, June 24th, 2008 at 9:38pm. #

Geoff Lloyd posts a wonderful piece on the TIML Golden Square blog (that’s the company that’s taken over Virgin Radio). In it, he says…

It’s very common in commercial radio workplaces to feel like your opinion doesn’t matter. If you offer your opinion on the output, you’re dismissed out of hand and told that you’re not like a “real listener”. … If you pass on anecdotal comments from friends, acquaintances etc, these are also disregarded, once again, because they’re supposedly not representative of the real audience either. … As for real feedback, on the website, or through texts/email/calls to the studio, this is often ignored too. And why? Because those people aren’t “real listeners”.

Not just is this blog a brilliant and revolutionary idea; this piece says a lot of what I’ve always felt. Geoff’s genius clearly extends to writing good pieces on the state of the industry.

It also shouldn’t be forgotten that your friends in future media - whatever station you’re at - can help and assist with many bits of useful listener input.

We know, for example, exactly how many people actively tune out during every single song; or every single feature; by simply reconciling the minute-by-minute online listening figures with what’s going on on-air. Working out the average %age of tuneouts over the last seven days, and ranking them, might show you whether your listeners are getting tired of songs, or whether a particular feature simply goes on too long. And we can add “like it / dump it” links on our radio players, giving instant feedback.

Using other data, we can work out a percentage of who interacts with Moyles at breakfast and not Mills at drive, based on SMS text numbers and telephone logs. We can ask our listeners for their feedback; and get our listeners to assist with new features. Using tools like http://www.last.fm/user/bbcradio1 or http://www.bbc.co.uk/soundindex/ we can watch for new tracks to play - tracks recommended by computer algorithm as well as the pushy record pluggers.

We can monitor calls-to-action to work out the most effective way of promoting a message. In tests I ran a few years ago, a 30″ promo was around a quarter as effective in driving web traffic as an almost identically-worded presenter-voiced announcement. Repeated mentions of a website feature in a thirty-minute period gave 30% more traffic at the first repeat, and about 10% more at the second (even when Jeremy Kyle was promoting the heck out of it, in his former incarnation as ‘Jezza’).

However, historically radio stations ignore what the future media team can tell them. Again, listeners online are seen as not real listeners; in spite of the fact that most radio stations now conduct music research online.

In my time at Virgin Radio, I listened to a colleage’s 10%-time idea, and enabled him to add a big screen to the office. Matt Deegan blogged about it, and I then added a picture of it to my Flickr stream. This contains just a sliver of information that should be really interesting to radio programmers: the latest version, which I saw when recently having a tour of the station, is even better.

So, don’t ignore your future media team. They’re not just the web geeks in the corner - they could be the very future of your radio station’s programming ideas.

Photo: flickr user wannaoreo. Used under licence.

One comment

Geoff said at June 25th, 2008 at 2:45pm

It’s often struck me as odd that the least creative department in many radio stations is the programming department.

New media, by its very nature, is constantly looking at new ways of communicating and evaluating its successes. Web geeks tend to be younger (in spirit if not in body, James), and because they often have to approach things from a blank piece of paper/monitor point of view, the conventional wisdom is less entrenched.

In sales, because media buying and the ad industry becomes ever more sophisticated, teams have to devise new ways to package what they’re selling, and offer creative solutions to a modern marketplace.

Engineering/technology, despite poor personal hygiene and Olympian grumbling, thrive on being able to work around seemingly impossible conundrums, in fact, the best way to get a radio engineer to do anything is to to prefix your request with the words “I don’t think this can be done, but… ” And they love nothing more than new toys.

When it comes to programming though, it can be the case that if you dare to suggest an even moderately different way of playing music, or talking to the listeners, or broadcasting information, people start rolling around the office floor, wailing and covering their ears in horror, like Puritans exposed to some terrible blasphemy.

(nb. Can I stress that I am not necessarily describing my own experience at my current employer. The fact that I have been allowed to pollute the airwaves with my ill-thought through, barely coherent, uncoventional-but-not-in-a-good-way tish and piffle for such a long time is testament to their bizarre but undeniable open-mindedness. )

It is sad, though, that programming departments often cling to a received dogma from a decade ago, or a flimsy and leaky piece of market research, or the expensive witterings of some snake-oil charlatan consultant whose idea of an idea is to steal a gimmicky promo contest from the other side of the world and pass it off as the next big thing.

I’m not saying that we should rip it up and start again and reinvent music radio. As much as I love Resonance FM, nobody’s going to get rich applying that much free thinking to a commercial radio model. But why don’t more programming departments take the time to work with and invest in their own best resource - the passionate, clever, creative people working throughout their businesses, to generate imaginative and original content.

PS. I left out all the admin and account people. I don’t know so much about their systems of working. Maybe they’re archaic. Maybe it’s them that’s stuck in the Steam Age, not programming. Probably not, though.

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